Touchstone Gallery is open online and still bringing the finest contemporary art to the community through 3-D virtual exhibits. Now showing: Landscape as Metaphor, abstract acrylic landscapes by Elaine Florimonte, August 1-August 31, and All-Member Artists’ Exhibit, July 10-August 25, featuring works by 44 Touchstone member-artists.
Read moreMakda Kibour: Raw Paintings
Makda Kibour, a quiet gentle woman who immigrated to the United States from Ethiopia by way of Zambia, has under gone many transformations on her way to becoming an artist. After reaching Pennsylvania, she become part of a Mennonite family for five years, learning to navigate that religion’s discipline of “the simple life." This austere Bible-based faith was quite a contrast to ancient traditional rituals of the Greek Orthodox Church she grew up knowing in Ethiopia. Her artistic sensibilities responded to the expert woodworking and hand sewn quilts pieced with deep reds, blues and other dark colors that were part of the Mennonite culture.
Read moreRosemary Luckett: exploring the terrain within
In her February 2018 solo exhibition Landscapes: the terrain within, Rosemary Luckett steps back from exploring the environmental landscape to make art about the archetypes she recognizes in her interior landscape. Over time she discovered the inner guides or archetypes portrayed in art, literature, mythology, and religion, heroes that have been with humanity everywhere since the dawn of time. Inspired by female contemporary heroes and writer Carol S. Pearson's book on the topic (Awakening the Heroes Within), she constructed collages about the twelve archetypes, putting herself into the picture. They percolated in a drawer for years until she decided to explore them further in larger format.
Read moreBD Richardson: Repetition, Pattern and Form--From Intimate To Immense
In what turned out to be a prescient decision, BD Richardson, fresh from earning a master’s degree from American University, began a habit of carrying a camera everywhere she went. Beginning with a trip to China as part of a women’s press group in 1980, she captured bits and pieces of that huge country just prior to its national efforts to modernize. After that, no place in the world was exempt from her restless eye: Paris, South America, North America’s heartland with its aging buildings and big skies, and coastal villages replete with fishing boats and seamen. Lately she has focused her camera up close on plant forms turning their growth patterns into mandalas.
Read moreKate McConnell: Capturing Color in the Landscape
kate-portrait
How does the artist paint the landscape while, at the same time, paint from the “deeps” of the soul? Painter Emily Carr posed that question to herself as she painted alone in the forests of British Columbia sometime in the 1930’s. “What do I want to express? ... The arrangement, the design, colour, shape, depth, light, space, mood, movement, balance, not one or all of these fills the bill. There is something additional, a breath that draws your breath into its breathing, a heartbeat that pounds on yours, a recognition of the oneness of all things,” she writes in her journal.
Read moreLina Alattar: The Unscripted Experience of Painting
Lina Alattar
“Abstract work has its own way of explaining itself,” says Lina Alattar, an abstract painter at Touchstone Gallery who works in acrylics on canvas. To understand how her paintings speak, she tunes into each one by being consciously aware and open. “I just respond to the marks, because it’s the experience of painting that drives the painting.” Knowing that nothing is scripted opens the door to tolerance for “accidents” that happen during the painting process. For Lina, these unexpected happenings in the creative process preempt any preconceived ideas. Each one shows her the possibility of going in a different direction, a road less traveled perhaps. American contemporary painter Helen Frankenthaler summed it up saying, “You have to know how to use the accident, how to recognize it, how to control it, or ways to eliminate it so that the whole surface looks complete and born all at once.”
Read moreMcCain McMurray: Stained Paintings
Think about diving into the waters of the Caribbean. Imagine feeling the sensations of being under and in the water off St. Bart’s, St. Johns or Martinique. Cooling blues and greens float with muted reds, yellows or oranges. Then visit the newest paintings by McCain McMurray in his solo exhibit Immersion at Touchstone Gallery during the month of July. You’ll see slices of the Caribbean in his long vertical paintings—painted essays defining the essence of this watery space and the experience of exploring life in it.
Read moreTouchstone Gallery Celebrates Its 40th Anniversary!
It’s 2016 and Touchstone Gallery is in a celebratory mood! Being one of the longest-tenured and most highly regarded artist-owned galleries in Washington, DC, Touchstone will celebrate its 40th year in Washington on May 13th with an Anniversary Gala and a May 4-29 member artists show, featuring solo artists, Paula Lantz and Colleen Sabo, and works by present and former members. The gala and show are open to the public.
Read moreColleen Sabo: Playing Favorites with Oil
Colleen with Dunn Cove painting
In her May 2016 Touchstone Gallery solo exhibition, A Few of My Favorite Things, Colleen Sabo introduces her new body of work in oils. Long a color painter in water media, Colleen shifted her focus to oil several years ago and has not looked back since.
Read moreFigure 8 plus 1 (part 2)
In January we introduced you to four of the artists who will be exhibiting at Touchstone Gallery in March. In their exhibit FIGURE 8 PLUS 1, the artists continue the historical tradition of exploring the human form in a variety of media and styles including photography, oil, acrylic, watercolor and sculpture. Opening Reception: Friday, March 4, 6 – 8:30 pm Artists Talk: Saturday, March 19, 2 – 4 pm.
Read moreGuest Artists: John Blee and Dee Levinson
Washington, DC, artist Dee Levinson learned at an early age to collage imagery and colors together. As a child she began by pasting small museum art reproductions into little booklets her mother provided. This seemingly inconsequential activity instilled in Levinson the notion that one could mix just about anything together to make a piece of art. Today she does this “collaging” by mixing classical forms painted in a linear manner with highly saturated colors reminiscent of early 20th century German Expressionists.
John Blee, a Washington DC artist, explores new spatial and emotional dimensions in Orchard Suite, his latest series of acrylic paintings on exhibit at Touchstone Gallery. While most of his works vibrate with the intense spring blossom hues that are signature to his palette, several other paintings offer deeper, nocturnal shades, reflecting inverse color themes. Playful geometries activate abstract, luminous sky-and-earth compositions and dance with one another to create an unlikely balance and playfulness. The effect in the viewer is usually an uplifted spirit one might call joie de vivre.
Finding a Home in Art: Miriam's Kitchen Studio Artists
Miriam's Kitchen Studio Artists are homeless individuals trying to find jobs and homes in Washington DC. During this process they participate in art activities that nurture their creative sides. Some of their works are on exhibit at Touchstone Gallery during the month of November 2015: "Handpicked: Works from Miriam's Kitchen Studio Artists."
Read moreRima Schulkind: Dancing With Change
Rima Schulkind2
Rima Schulkind, a native of New York City, came to Washington DC at age 15 and has remained ever since. In 1972 she obtained a sociology degree before realizing the profession was not for her. Wondering what to do next, she “almost accidently took a ceramics class with the worst teacher in the world.” Rima recalls. “But the clay felt heavenly to my hands, and I knew I wanted to make things with it.” Serendipity #1.
Read moreCynthia Young: Color Field Painter
Cynthia Young
As I write this essay, I’ve got one eye on the keyboard and the other on the sunset. Glowing peach and gray clouds streak across an aqua sky. It’s the kind of color phenomenon that penetrates Cynthia Young’s eye and then transfers to canvas when she starts a painting. She begins by positioning her canvases on the floor, then pouring oil paint thinned with turpentine on to them. She watches the colors percolate and swirl around each other forming shapes. After the paint dries, the canvas goes up on the wall where she paints with a brush to finish up the composition. While observing her surroundings Cynthia learned intuitively to “see forms instead of objects.” She sees color patterns instead of tree canopies, and meditates on colors in the dark shapes forming storm clouds.
Read morePat Williams: Coaxing Abstracts From Reality
Pat Williams
"I enjoy painting more than anything else I’ve ever done, and I’ve done quite a few things," says Pat Williams, a native of North Carolina who now lives in Falls Church, Virginia. This is quite a remarkable statement coming from a person who majored in engineering and spent most of her career working for electrical cooperatives and other energy companies.
Read moreAnnika Haas: Observing with a Photographic Eye
Annika Haas, Estonian Photographer
Photographer and Touchstone Gallery Guest Artist Annika Haas lives and works in Estonia, a small country located between Latvia and the Gulfs of Finland and Riga—a cool, but fertile land. Annika grew up there and received her BA from the University of Tartu in Finno-Ugric languages. Subsequently she studied photo journalism in Tartu. Traveling to London provided her with the chance to continue studies at the Photo Opportunity Studios and foto8 gallery.
Read morePaula Lantz: Designer of Plans and Paintings
Paula Lantz head shot copy
Paula is one of those rare persons who can make and follow a detailed plan of action and yet act spontaneously in the next moment. For the first half of her professional life, she focused on corporate jobs as a "structural planner" of employee self-improvement programs. In the second half she became an abstract painter. Perhaps these seemingly contradictory abilities are innate, or perhaps she learned them along the way.
Read moreTouchstone Artists Shine at 2014 (e)merge DC Art Fair
The (e)merge art fair presents an extensive line-up of special projects and performances. Three Touchstone Artists join the fray: Leslie Nolan, Pete McCutchen and Ai-Wen Wu Kratz. (e)merge also engages curators, gallerists, collectors, artists and other art world innovators in panel discussions during the fair.
Read moreCharles Goldstein: Painting His Way Through Memories
Charles Goldstein
Natalie Portman once said," Everyone dreams of living in Paris," a city both beautiful and severely scarred by periods of cruelty, revolution and war. Artist Charles Goldstein doesn't just dream of Paris. This is where he was born and near where he lives now. However romantic the Paris of our dreams is, reality is different for Charles. The memories he paints in Les Chemins de Memoire (The Paths of Memory) currently on exhibit at Touchstone Gallery, are rooted in the Holocaust and the disappearance of 84 members of his close family in France and in Poland.
Read moreShelley Lowenstein: Painter of Crowds and Spaces
Shelley at the opening of Quotidian: The Art of Interaction
As a 7-year-old living in Connecticut, Shelley Lowenstein rode the bus downtown with her best friend to explore the stores on Main Street, and to spend their allowances in Woolworth's five-and-dime. The shopping was fun but Shelley loved watching people and making up stories about them in her mind. What did they do? Where were they from? Where were they going? Around the same time, Shelley discovered movies. Once a week she settled down into the dark recesses of the local theater and escaped into other worlds which sparked her imagination even more. Ever since these youthful experiences, Shelley has been fascinated by how people are in public spaces.
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