Claudia Samper explores our relationships with each other in the urban community and the urban community’s relationship with nature in Urban Nest, her October 2019 mixed-media show. The delightful hide-and-seek images challenge the viewer to consider modern issues, such as gentrification and isolation.
Read moreRosemary Luckett: exploring the terrain within
In her February 2018 solo exhibition Landscapes: the terrain within, Rosemary Luckett steps back from exploring the environmental landscape to make art about the archetypes she recognizes in her interior landscape. Over time she discovered the inner guides or archetypes portrayed in art, literature, mythology, and religion, heroes that have been with humanity everywhere since the dawn of time. Inspired by female contemporary heroes and writer Carol S. Pearson's book on the topic (Awakening the Heroes Within), she constructed collages about the twelve archetypes, putting herself into the picture. They percolated in a drawer for years until she decided to explore them further in larger format.
Read moreClaudia Samper Mixed Media Stories
Argentinian-born Claudia Samper reminisces on her early life in Buenos Aires. “As a youngster I was always drawing and creating things with my hands,” she recalls. “By the time I entered the university I didn't have many choices in Buenos Aires except for traditional career paths--medicine, education, law, etc. We of course did have a wonderful art institute, but it never crossed my mind to pursue art then.” The one track that suited her the most was architecture. After completing that 6-year degree program, she had acquired a solid base in both the technical and the art spheres of the curriculum.
Read moreRosemary Luckett: Uncovering the Unseen
Rosemary Luckett
Rosemary Luckett has been on good terms with the earth since she was a young girl weeding sugar beets and caring for the animals on her family’s farm in the desert plateau of south central Idaho. These earliest experiences of taking care of the environment that then, in turn, took care of her, were the seeds of Rosemary’s sense of this relationship as vital and mutual. Over time, she has developed a visual language--plastic ducky's, bones, tree forms, maps, and birds to express her love and worry for the earth through her artwork. The techniques used varies with what she is exploring. Sometimes collage. Sometimes sculpture. And more recently photography.
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