2021 and previous press coverage

Touchstone Gallery’s dynamic virtual exhibitions

Touchstone is temporarily thriving as an online-only operation
By Doug Rule, March 19, 2021 
”Although COVID-19 forced it to close its physical space, D.C.’s Touchstone Gallery is temporarily thriving as an online-only operation.
Its dynamic virtual exhibitions of contemporary art are several degrees above the standard, offering fully navigable views of the artworks using technology with close-up, rotational, and move-around capabilities.” … Click for more info!

Local Arts Organizations Rise to Digitally Meet the Demands of an At-Home Public

Jennifer Anne Mirchell, Washington City Paper, March 26, 2020
”Touchstone Gallery also made an about-face. The staff usually conducts business downtown on New York Ave. NW,  … “I find that in times of stress and distress, and when you feel like you need to calm down and feel better, art spaces are the ones you go to,” says Touchstone’s director Ksenia Grishkova. …” Click for more info!

“Portraits, landscapes and dark views”

Mark Jenkins, The Washington Post, March 17, 2020
“In the Western imagination, Marrakesh is as sunny as a certain Crosby, Stills and Nash song. But Steve Alderton returned from a 2018 trip to that city with a new and darker palette. .. Paired with Alderton’s portraits are ones by Dana Brotman that share more than a stylistic link. The local artist, who considers Alderton a mentor, decided to emulate his bold colors in her “Transitional Spaces.” ...” Click for more info!

“In the galleries: A confection of a show that draws on the richness of Vermeer”

Mark Jenkins, The Washington Post, January 17, 2020
“Too bad for Johannes Vermeer that jelly beans weren’t invented (probably) until the 19th century. Thanks to Anna Katalkina’s Touchstone Gallery show, “Candy and Mementos,” we can see that the translucent confections are an ideal subject for anyone who employs the technique of the 17th-century Dutch master.” Click for more info!

“In the galleries: From artist Timothy Johnson, a heady exhibition”

Mark Jenkins, The Washington Post, October 18, 2019
“Dead is dead, but there’s a special finality to separating head from body. That form of demise also offers dramatic pictorial possibilities, as local painter Timothy Johnson reveals in his Touchstone Gallery show, “Fables of Decapitation.” Click for more info!

“Enhancing the value of a house with art”

Audrey Hoffer, The Washington Post, October 9, 2019
“…Timothy Johnson is a local artist with a show, “Fables of Decapitation: I knew I would die long ago,” at Touchstone Gallery through Oct. 27. His home and art studio are one and they’re small…” Click for more info!

In the galleries: At two Washington spaces, art of a political caliber … one of them is “America Is . . .”

Mark Jenkens, The Washington Post, August 16, 2019
”The member-run Touchstone Gallery primarily serves local artists, but as one of the few remaining commercial art spaces within a short walk of the White House, the venue sometimes assumes a national role. Before the 2016 election, its “Art As Politics” looked mostly askance at the possibility of a Donald Trump presidency. Its current “America Is . . .” takes a broader view, but there are more than a few echoes of that previous show. … Diverse but uniformly well-crafted, the works in “America Is . . . ” are remarks in a dozen or more continuing conversations. ” Click for more info!

“Artists Take On America’s Biggest Issues At D.C.’s Touchstone Gallery”

Mikaela Lefrak, NPR (WAMU 88.5), August 16, 2019
”… Four judges selected works by artists from around the country that examine American identity and values. The show includes paintings, sculptures, photographs and multimedia installations that address everything from the opioid epidemic to police violence to the distractions of the digital age. …”Click for more info!

“Artists From Across the Country Explore National Identity in America Is...”

Ella Feldman, Washington City Paper, August 15, 2019
“ …This is Touchstone Gallery’s third annual national juried show exhibiting political art. Grishkova says she didn’t pay much attention to art with political messages until after the 2016 presidential election, when her own introspection about the country’s politics led her to notice how others were reacting. “Art is such a universal language,” she says. “Anything visual can reach across faster than language. There’s an immediate reaction.” ...”  Click for more info!

East City Artnotes: America Is ... at Touchstone Gallery

Eric Hope, East City Art - Artnotes, August 13, 2019
The continued fascination with the sociopolitical concerns that have come to prominence around and since the 2016 election is explored in “America Is…” Artists Explore, Ask and Answer: What is America today? , now on view at DC’s Touchstone gallery. Click for more info!

WUSA-9 CBS “Touchstone Gallery's new exhibit: 'America is...' explores US values through art”

Great Day Washington Program, WUSA-9 CBS TV channel, August 1, 2019
”Touchstone Gallery's director, Ksenia Grishkova, and DC based artist, Jenny Wu, discuss the new exhibit: 'America is...' which explores our countries values through art.
Click here to view the VIDEO!

BD Richardson, Gone Fishin’

Pamela Leigh, Elan, August, 2019
”The day that I interviewed photographer Barbi "BD" Richardson at her studio in Boyds, Maryland, I rode over to the Maryland side of the Potomac River on historic White's Ferry. Located off U.S. 15 North near Leesburg, down Whites Ferry Road, the ferry proved the perfect way to visit her—and not just because it cuts off some highway driving.” Click for more info!

“Touchstone Gallery Exhibits Highlight The Duality Of The Natural World”

Claire Goldberg, The Georgetown Voice, March 15, 2019
”On one side of the white wall sits a giant, glossy, black-and-white photograph of sand dunes, while on the other, a coterie of small, vibrantly-colored photos of rock formations and nature scenes hang in a row. These two exhibits, currently showing at the Touchstone Gallery until March 31, perfectly display the contrasting sides of nature, and how photography can lend to ideas and viewpoints…” Click for more info!

“Have You Been to These 10 DC Museums That Are NOT Part of the Smithsonian?”

Anna Jacoby, DC Fray, March 1, 2019
”Touchstone Gallery The sleek artist-owned Touchstone Gallery is located by the glitzy CityCenterDC. They’ve been displaying contemporary art since 1976. Their website is updated with current and upcoming exhibitions.” Click for more info!

Dee Levinson, Born to Paint

Janet Scharp, Elan, October, 2019
“I want things to be beautiful,' says Arlington oil painter Dee Levinson. She would like viewers to stop and to take a second look at her works. To accomplish that goal, she starts with something beautiful: a sculpture she saw here or on her travels around the world.” Click for more info!

“22 Best Romantic Things to Do in Washington, DC”

Vacation Idea, Dream Vacation Magazine, February , 2019
”Touchstone Gallery is a high-quality art gallery along Washington, D.C's New York Avenue NW, located approximately half a mile between the United States Capital Building and the White House near attractions such as CityCenter DC and the National Museum of Women in the Arts.” Click for more info!

Linda Bankerd, Painting as Freedom

Donna Cedar-Southworth, Elan, February, 2019
“Alexandria resident Linda Bankerd takes commonplace subjects: a chair, a piano or sofa, reclining nudes adjacent to blue teapot or palm leaves, a vase of flowers. With her imaginative angles, unique arrangements and unusual pairings, she presents viewers with a pleasant and welcome surprise.” Click for more info!

8 Art Exhibits To Get Lost In This February

Pat Padua, DCist, February 6, 2019
EXPOSED DC @ TOUCHSTONE GALLERY The 13th annual edition of this show introduces a new venue for the winners of a photography competition that was originally hosted by DCist. The show as usual offers a mix of political activism and slices of life far from the usual tourist haunts. Local photographers John Christopher Anderson, Sam Hurd, Darren Smith, Lauren Stockbower, and Jennifer Sakai will select the Best in Show.” Click here for more info!

Marka Kibour, Intuitive

Kathryn McKay, Elan, February, 2019
“If she's feeling it, she's painting it. 'I don't want to hold back anything," says Makda Kibour. 'I'm not painting to impress; I paint to express true emotion.' Soft spoken and graceful, the 51-year-old abstract artist and mother of two children has a lifetime of rich and diverse experiences to draw upon.” Click for more info!

Anna Katalkina, Of Light and Joy

Kathryn McKay, Elan, February, 2019
“There's a reason the jellybeans look as precious as a gem in Anna Katalkina's 'Blue Jellybean on Dry Leaf.' Using a technique similar to that employed by Johannes Vermeer and the Dutch masters of the 17th century, this McLean-based artist gives the most ordinary objects the gift of light.” Click for more info!

Gale Wallar, Inside Looking Out

Donna Cedar-Southworth, Elan, January, 2019 “Much of Gale Wallar's life has been spent looking out of windows, taking in new scenery, being introduced to new places and cultures and absorbing new surroundings. Looking at the world this was has made her vision extraordinarily keen. Changing landscapes, cityscapes, the way light changes in different geographic areas, the way a sky feels when first beholding it, the sights and scents and emotional responses to seeing and feeling a city or landscape for the first time—all if these impressions are stored in her visual memory and find their way into her masterful body of oil paintings.” Click for more info!

The Superfine! Fair Wants To Make Art Accessible For All

D.C. is in need of an art fair, and Superfine! hopes to fill the void.
Stephanie Rudug, The Washington CityPaper, October 25, 2018 ”Ksenia Grishkova, director of Touchstone Gallery says, “There’s quite a big group from D.C. and artists from D.C. It will be nice to see everybody in one place because we’re all so scattered across the city. There’s no specific area where you can find everybody.” Click for more info!

“Best of D.C. 2018: See what Express readers voted for as their favorite things in Washington”

The Washington Post, October 19, 2018
Touchstone Gallery was voted the best gallery in D.C., achieving “1st” place 3rd year in a row! Click for more info!

McCain McMurray, Pictures of Nothing

Jan Aucker, East City Art, October 25, 2018 ”McMurray paints abstract images to create essays on places or memories, which he claims is not pictures of something.“ Click for more info!

Interview with Ksenia Grishkova, Director of Touchstone Gallery from Washington D.C.

Bontena, October 4, 2018
In 1976, the Touchstone Gallery was established by a group of artists to represent local artists in Washington, DC. And the gallery has been directing by Ksenia Grishkova since 2007. I contacted Ksenia Grishkova to learn more about her career and Touchstone Gallery. Click for more info!

Yuki Hiyama, Hiroshima, Japan: JOURNEY TO YUKI’S WORLD (guest artist)

Mark Jenkins, The Washington Post, August 17, 2018
“Calligraphy meets — and sometimes overwhelms — expressionism in Yuki Hiyama’s abstract paintings. Whether the Japanese artist would agree with that formulation will remain a mystery, because she doesn’t speak. ” Click for more info!

Dee Levinson, Religions of the World

Mark Jenkins, The Washington Post, July 27, 2018
“The paintings in Dee Levinson’s Touchstone Gallery show, “Religions of the World,” began with an epiphany, but it wasn’t a sectarian one. Visiting Rome in 1991, the Arlington artist was struck by the forms and lines of the abundant public sculpture. ” Click for more info!

Carol Ann Moore, Seeking Refuge and Susi Cora, Highwire: Precarious Balance (Touchstone Foundation for the Arts 2016–18 Emerging Artist Fellowship)

Mark Jenkins, The Washington Post, May 18, 2018
“To conclude two-year emerging-artist fellowships endowed by Touchstone Gallery’s foundation, Carol Ann Moore and Susi Cora are having dual solo shows at the venue.” Click for more info!

“Best of D.C. 2018: Best Commercial Art Gallery”

Washington City Paper, April 2018
Touchstone Gallery was voted to be one of the top-three commercial art galleries in D.C. Click for more info!

BD Richardson, Mosaic: Moments & Method

Mark Jenkins, The Washington Post, January 12, 2018
“Richardson’s taste for outdated photographic methods mirrors her penchant for focusing on lost times and places.” Click for more info!

Art Watch: The One House Project, a 220+ Artists Installation Supported by the Touchstone Foundation for the Arts

Mark Jenkins, The Washington Post, November 16, 2017
“A houselike wooden structure covered in local artists' tributes to their family histories may not be a full expression of the region's myriad ethnicities.” Click for more info!

“Best of D.C. 2017: See All the Winners You Picked Here”

The Washington Post, October 19, 2017
Touchstone Gallery was voted to be the best gallery in D.C., achieving “1st” place. Click for more info!

“Bastion of the Arts: The Artist-Owned Touchstone Gallery Highlights DMV Talent”

Michael Bergin, The Georgetown Voice, September 29, 2017
“The gallery is disarming at first look. It almost takes a moment to realize you are in an artistic space. Its green awnings blend in with the neighboring businesses[,] and the tall glass offices of K Street are only a few blocks away.” Click for more info!

“Good Things Come In Threes At Touchstone Gallery”

Monica Cho, The Georgetown Voice, September 19, 2017
“At Touchstone Gallery in downtown D.C., three separate collections will be running until Oct. 1. The collections, “About Face: Reversals and Undoings,” “Physiognomy,” and “Ordered Complexities,” are all intricate explorations of the world around us, though they have little in common at the surface.” Click for more info!

“In the Galleries: The Art of Engagement”

Mark Jenkins, The Washington Post, August 11, 2017
As the presidential election loomed a year ago, Touchstone Gallery presented “Art as Politics.” Now, the venue’s “The Art of Engagement” returns to many themes of that exhibition, but in a somewhat grimmer mood. Click for more info!

“From Refugees to Russia, Local Artists Wade into Politically Charged Debates”

Brendan L. Smith, The Washington Diplomat, May 30, 2017
“At the Touchstone Gallery in Washington, almost 100 artists from across the United States sharpened their social commentary in ‘Art as Politics,’ a group exhibition held last August before Trump’s surprise defeat of Hillary Clinton. Many pieces lampooned Trump, some depicting him as the anti-Christ or Humpty Dumpty. The exhibition had record-breaking attendance at the artist-owned gallery, said Touchstone Gallery Director Ksenia Grishkova. ‘This is the moment to do something political, and the response was absolutely overwhelming,’ she told The Diplomat. ‘It was much more than I ever anticipated and imagined.’” Click for more info!

“10 places off the beaten path to see art in Washington, D.C.”

Winyan Soo Hoo and Mark Jenkins, The Washington Post via The Denver Post, April 19, 2017
”This artist-owned cooperative gallery was founded in 1976 and has been in its current location near Mount Vernon Square since 2010. Touchstone attracted some attention — not all of it favorable — with a pre-election show titled “Art as Politics.” Click for more info!

“10 Unexpected Places to Find Great Art in Washington”

Winyan Soo Hoo and Mark Jenkins, The Washington Post, April 13, 2017
“Touchstone attracted some attention — not all of it favorable — with a pre-election show titled ‘Art as Politics.’ Usually, though, the venue divides its space between a members’ group exhibition and two solo showcases.” Click for more info!

Claudia Samper, Connecting the Dots

Mark Jenkins, The Washington Post, July 13, 2017
“Birds sport many kinds of plumage in Claudia Samper’s pictures, which combine painting, drawing and collage. Some of the renderings in her Touchstone Gallery show are precise enough for a modern-day Audubon, but she mixes realistic creatures with cartoonish sketches and diagrams of origami avians.” Click for more info!

Jeanne Garant, 275 Stripes

Mark Jenkins, The Washington Post, May 18, 2017
“Executed primarily in black and gray, the paintings in Jeanne Garant’s ‘275 Stripes’ are almost austere. Yet there are glimmers of sensuousness in the Touchstone Gallery show, whether in the infrequent bright colors — a gold bar, a red line — or the textures within the muted, monochromatic blocks.” Click for more info!

Steve Alderton, Memoryscapes: Blurry Lines III

Allison Reagan, The Georgetown Voice, February 27, 2017
“In a little corner of the Touchstone Gallery, next to a window looking out onto busy New York Avenue, is the latest collection of paintings from local artist Steve Alderton. Ordered swaths of muted blues and purples hang in silent contrast to the hustle of the streets on the other side of the glass and invite viewers to attempt to piece together the colorful rectangles on canvas that comprise the artwork of ‘Memoryscapes: Blurry Lines III.’” Click for more info!

Mary D. Ott, Metallics: Paintings and Prints

Mary Mei, The Georgetown Voice, February 24, 2017
“At first glance, Mary D. Ott’s metallic paintings seem to be characterized by their lack of complexity; her aptly titled piece ‘Gold on Black’ refers to a dark canvas interrupted by thin, golden strokes, while ‘Copper’ is a copper backdrop interspersed with flashes of silver. However, upon further inspection, Ott’s allusion to natural elements becomes noticeable, and one is able to appreciate the elegance of her pieces.” Click for more info!

Dee Levinson, Looking Back: Across Time and Cultures

Mark Jenkins, The Washington Post, January 19, 2017
“Levinson’s color schemes, dominated by earth and metallic tones set off by intense blues, evoke the land of the pharaohs. Her use of shadows and modeling, however, draws from the European medieval and Renaissance masters whose styles the pre-Raphaelites endeavored to revive.” Click for more info!

Elaine Florimonte, “Accumulation”

Mark Jenkins, The Washington Post, December 15, 2016
”Maps also feature in Elaine Florimonte’s exuberant collage-paintings, as do dress patterns. They are among the things worked into the textured landscapes and abstractions of “Accumulation,” the Virginia artist’s show at Touchstone Gallery.” Click for more info!

WHUT DC Channel 32 “#ARTICO | Art in Your Community | Ep. 102”

WHUT DC Channel 32, September 28, 2016
https://youtu.be/XyUMjF6qDyY?t=607.

“In the Galleries: Lines Are Clearly Drawn in ‘Art as Politics’”

Mark Jenkins, The Washington Post, August 13, 2016
“The numbers look good for Donald Trump in Touchstone Gallery’s powerful show ‘Art as Politics.’ The Republican presidential candidate is portrayed in roughly twice as many pieces as his Democratic rival. But while some of the renderings of Hillary Clinton are flattering — or at least not patently contemptuous — there’s not one positive depiction of Trump.” Click for more info!

“East City Artnotes: Art as Politics at Touchstone Gallery”

Eric Hope, East City Art, August 11, 2016
“The front page headlines of The Washington Post have been splashed—artistically—across the walls of the Touchstone Gallery. Art as Politics brings together 126 works from artists across the country in a free-ranging, juried exhibition that seems to touch on every vexing social issue confronting society today.” Click for more info!

Rosemary Luckett, Earth House

Mark Jenkins, The Washington Post, April 22, 2016
“Although her subject is nature, Rosemary Luckett’s collages are constructed mostly of manmade stuff. ‘Earth House,’ the Virginia artist’s show at Touchstone Gallery, combines sheet music, gift wrap, postage stamps, ransom-note text and more, all neatly assembled inside old battered frames. The cut-and-paste mini-ecosystems are inspired by American Indian religious and folk art, and accompanied by Luckett’s poems. Every being, she writes, ‘is but a mask of the Great Face Behind.’” Click for more info!

“‘Just Art, Not Credentials’: Artist-Owned Touchstone Gallery Turns 40 This Year”

Teta Alim, NBC Washington, March 24, 2016
“The original location for the gallery was opened in 1976 in Dupont Circle by 30 artists. Now, in its 40th year and with a new location by CityCenterDC, 45 artists share ownership of the gallery.” Click for more info!

“Touchstone Gallery Presents Figure 8 Plus 1”

Editorial Team, East City Art, March 2, 2016
“Eight Touchstone Gallery 2D-artists plus one sculptor combine their works to flesh out the human form through photography, sculpture, and paintings ranging from the abstracted to representational.” Click for more info!

Artwork by Dee Levinson

Samantha Smith, The Georgetown Voice, February 10, 2016
“Levinson said most of her pieces are based off of statues she photographed while abroad. This explains why it is difficult to nail down the period that Levinson’s collection is based on; her paintings are based on statues from various eras and cultures, the subjects of which range from the Virgin Mary to Buddha and from Greek gods to Victorian women.” Click for more info!

Leslie Johnston, Before They Are Gone

Leila Lebreton, The Georgetown Voice, January 21, 2016
“As someone who is not a frequent advocate of abstract art, I, surprisingly, thoroughly enjoyed Leslie Johnston’s work. She is first and foremost an environmental scientist by profession, so it comes as no surprise that her art reflects her passion for preserving natural habitats and species.” Click for more info!

Pete McCutchen, The Quality of Light

Elizabeth Malatesta, The Georgetown Voice, October 8, 2015
“After only a few minutes of conversation with photographer Pete McCutchen at the opening of his newest show, ‘The Quality of Light,’ it is wildly apparent that he is no typical photographer. ‘The world is a chaotic mess, and art is making order out of it,’ he says, gesturing behind himself to a photo of Lake Yellowstone, the soft pre-dawn blues of the lake juxtaposed against an arrangement of dark scraggly trees with a scattering of tiny yellow flowers.” Click for more info!

MiniSolos at Touchstone!

Alfredo Flores, Bisnow, August 14, 2015
“We went to the MiniSolos Opening Reception at Touchstone Gallery, an artist-owned gallery for 39 years. Guests enjoyed red and white wine and an electric cello performance by Iain Forrest.” Click for more info!

Steve Alderton, Memoryscapes: Blurry Lines II

Mark Jenkins, The Washington Post, July 25, 2015
“It’s a selection of landscapes, but Steve Alderton’s show at Touchstone Gallery is hardly in the French en plein air tradition. The show’s title, ‘Memoryscapes — Blurry Lines II,’ specifies that the D.C. painter’s trees, fields and skies are recollected, not observed.” Click for more info!

Patricia Williams, Hidden Things Revealed

Michael Bergin, The Georgetown Voice, January 22, 2015
“Joy, whimsical wit, and aesthetic beauty are exactly what Williams provides in Hidden Things Revealed, her latest exhibit. Located at the Touchstone Gallery through the end of January, the collection demonstrates an impressive variety of abstract natural scenes done in watercolor, shedding light on the beautiful nature of common things around us.” Click for more info!

Dana Brotman, Michelle Frazier, Janathel Shaw, Rosemary Luckett and Janet Wheeler: Form Transformed: Five Sculptors

Mark Jenkins, The Washington Post, January 24, 2014
“The traditional idea of sculpture is of shapes chiseled out of — or, more poetically, discovered within — blocks of stone. There are a few modernist examples of that approach in ‘Form Transformed: Five Sculptors,’ at Touchstone Gallery.” Click for more info!